I found quite interesting the way how the ethnographic wooden poles presented in the photographs bellow are placed in groups of three at the corner of these verandas belonging to Neo-Romanian style houses. That peculiarity could on the one hand be the result of structural requirements, to reinforce the corner of the veranda structure, or on the other hand be a Christian reference to the symbol of Trinity, often encountered in the Romanian ethnography and peasant art.
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I endeavour through this daily series of daily articles to inspire appreciation of the historic houses of Romania, a virtually undiscovered, but fascinating chapter of European architectural history and heritage.
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