Exquisite villa from the apogee of the Neo-Romanian style

I first published this article in November 2010, but took it offline after a short while, due to a series of Romanian blogging sites which were using the photographs and ideas presented here, without giving any credit to my work, a blatant arrogant behaviour typical of the many so-called specialists that currently infest the post-communist cultural scene, including the history of architecture, of Romania. Many among those mediocrities, some of them even from among the “teaching” staff at the University of Architecture in Bucharest, misappropriate and habitually plagiarise other authors’ work.

Neo-Romanian style villa, designed by the architect Toma T Socolescu, 1934, Campina, southern Romania (©Valentin Mandache)

In the period between the mid-1920s and the mid-1930s, the Neo-Romanian architectural style has reached its apogee. One of the leading architects who has marked that intensely creative decade, was Toma T Socolescu, the most brilliant scion of a famous family of Romanian architects. The house above, although not very sizeable, represents in my opinion one of his finest creations, which is also excellently preserved. It is located in Campina, a prosperous oil town 90km north of Bucharest, close by another house that I documented in an earlier post (an excellent modernist design, which I hypothesized, correlated with information from the locals, that it was designed by a Wehrmacht architect in the 1940s). Remarkable in this example is the highly elaborated and decorated doorway assembly (the door, the wall dressing and the awning). Also noticeable is the ground-floor balcony terrace overlooking a beautiful small garden. The terrace is overlooked by a decorative shield containing the family monogram, “NP”, decorating the door arch keystone. I would also like to mention here the charming first floor veranda, decorated with interesting wood carved pillars that sustain an interesting bell shaped tiled roof, which was modelled by the architect from roof examples that endow many late medieval Wallachian churches. The roof is crowned by a large Neo-Romanian type finial. I had the opportunity to discuss with the proprietor of this architectural jewel, a senior lady, who gave an abundance of information about the designer and year of construction (1934). She also mentioned the struggle to save and maintain it during the long decades of the communist dictatorship, when part of the property was used by the army as housing for its personnel. The proprietor also mentioned the recent restoration and renovation works, which were undertaken with great care and under her close supervision in order to preserve as much as possible from the old building details and fabric. In my opinion she has managed to do that with excellent competence, the house being now, in my opinion, one of the best restored Neo-Romanian style houses in the entire country. The photomontage above and slide show bellow the text are just a few glimpses of this exquisite house designed and built at the zenith of the Neo-Romanian style.

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Prin aceasta serie de articole zilnice intentionez sa inspir in randul publicului aprecierea valorii si importantei caselor de epoca din Romania – un capitol fascinant din patrimoniul arhitectural european si o componenta vitala, deseori ignorata, a identitatii comunitatilor din tara.

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Daca intentionati sa cumparati o proprietate de epoca sau sa incepeti un proiect de renovare, m-as bucura sa va pot oferi consultanta in localizarea proprietatii, efectuarea unor investigatii de specialitate pentru casele istorice, coordonarea unui proiect de renovare sau restaurare etc. Pentru eventuale discuţii legate de proiectul dvs., va invit sa ma contactati prin intermediul datelor din pagina mea de Contact, din acest blog.

Architectural tour chronicle: Campina & Comarnic

Images from Campina and Comarnic architectural tour (©Valentin Mandache)

The photomontage above contains photographs from last Sunday’s extensive and captivating architectural history and photography tour in Campina and Comarnic, 90-95km north of Bucharest on the Prahova Valley. This is the fist such tour outside the capital, which I organised so far, and I have been really pleased to have a number of participants way above my expectations, many of them seen in the images bellow. Campina is a beautiful town at the contact zone between plains and hills, which is famous for its oil industry, a wealth responsible for its interesting and high quality historic architecture. The photograph at the centre of the collage is a doorway pediment panel with oil industry motifs, embellishing the former offices of the local state oil company branch, built in 1941, when the area was awash with money paid by Nazi Germany, hungrly swallowing the Romanian oil for its war machine. As a result, there are many examples of quality architecture from the wartime, which is quite paradoxical, when one thinks at the ravages suffered by most of Europe at that time. Campina also has very fine Victorian era historicist style edifices and inter-war Neo-Romanian or Art Deco architecture, some of the most spectacular examples being designed by Toma T. Socolescu, a famous Romanian architect, active especially in the Prahova county of that period.

The second location visited, Comarnic, has its origin as a sheep station, which undertook an explosive development during the last two decades of the c19th. It was the main base base for the railway and road workers that opened Prahova Valey at the end of c19th, one of the last wildernesses of Europe. The railway enabled Bucharest to have for the first time in its history a direct and fast link with Transylvania and from there with western Europe. It marked the re-orientation of Romania’s capital from the economic sphere of the former Ottoman Empire, toward that of Europe. The old small hotels, inns, prostitution houses, concert halls of that age were built along the main road from wood planks and decorated with an explosive multitude of fretwork patterns, typical of the Victorian architecture and encountered in many other places of Europe or North America. Comarnic has thus probably the most abundant concentration of Victorian era wood fretwork in this part of Europe, which is now ignored by the official tourist trails and companies, remaining virtually unknown, despite the town’s relative short distance from Bucharest. We viewed most of these impressive buildings and examined at close range their intricate fretwork patterns, trying to imagine the life and atmosphere of the late c19th when this area was teaming with workers from Romania and Central Europe.

I trust that the participants had thus an interesting and intellectually productive Sunday out, in these more off the beaten track, but exceedingly fascinating, architectural locations. 🙂

Campina and Comarnic architectural tour (photography Dan Alexandru Croitoru)
Campina and Comarnic architectural tour (photography Dan Alexandru Croitoru)

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I endeavour through this series of periodic articles to inspire appreciation of the historic houses of Romania, a virtually undiscovered, but fascinating chapter of European architectural history and heritage.

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If you plan acquiring or selling a historic property in Romania or start a renovation project, I would be delighted to advice you in sourcing and transacting the property, specialist research, etc. To discuss your particular plan please see my contact details in the Contactpage of this weblog.

Unusual conical structure

Strange conical structure dating probably from the WWII period, Campina (©Valentin Mandache)

I encountered the unusual structure in the photograph above during my trip to Campina last autumn. It reminded me like a flashback from my childhood of similar structures which I seen in my very early years in some Romanian train stations: steep conical or ogee profile concrete roofs, a quite terrifying sight for a child, usually sitting next to the trains station main building. Most of them were demolished in the last two or three decades and probably only a handful still exists now. From what I remember, the locals there said that these unusual constructions were bomb shelters designed in such a way to repel the deadly blows and shrapnel of airplane launched bombs. Many Romanian cities, especially the oil towns such as Campina, have seen a great deal of bombing from the Allies as well as from the Luftwaffe during the Second World War and was not a real surprise the building of bomb shelters to alleviate somehow that menace. I am however not entirely convinced of their role as bomb-shelter, especially if you notice the large windows from the base of the example presented above. They look strangely similar with the overnight prisons, the “lock ups“, built in c18th and early c19th in small English towns before the establishment of the state police force. Could this structure from Romania have had the same role during the war time or the early Stalinist period? Perhaps some of my readers have more precise information about the role of that type of highly unusual structure!

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I endeavor through this daily series of daily articles to inspire appreciation of the historic houses of Romania, a virtually undiscovered, but fascinating chapter of European architectural history and heritage.

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If you plan acquiring a historic property in Romania or start a renovation project, I would be delighted to advice you in sourcing the property, specialist research, planning permissions, restoration project management, etc. To discuss your particular plan please see my contact details in the Contactpage of this weblog.

Campina Art Nouveau style round window

An Nouveau style round window rendered in a picturesque provincial manner, 1900s house, Campina, southern Romania (©Valentin Mandache)

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I endeavor through this daily series of daily articles to inspire appreciation of the historic houses of Romania, a virtually undiscovered, but fascinating chapter of European architectural history and heritage.

***********************************************

If you plan acquiring a historic property in Romania or start a renovation project, I would be delighted to advice you in sourcing the property, specialist research, planning permissions, restoration project management, etc. To discuss your particular plan please see my contact details in the Contact page of this weblog.

Ethnographic identity veranda poles

Ethnographic veranda poles, mid-1930s Neo-Romanian house, Campina, southern Romania (©Valentin Mandache)

This is a well preserved example of veranda poles adorning a large mid 1930s Neo-Romanian style house in central Campina, southern Romania, inspired from the ethnographic motifs of Prahova county. The main particularity of this ethnographic province is that it features a mix of Carpathian and Ottoman Balkan (especially Bulgarian-like) ethnography. The Carpathian ethnographic motifs and artefacts are typically very geometric and angular, a sort of “peasant cubism” reflecting the artistic traditions of a population settled in the area since the first arrivals of the Indo-European populations more than five millennia ago, seen here in the shape and symbols of the capitals adoring the poles. The Ottoman Balkan ethnography is characterised by a more cursive, round geometry with floral motifs, reflecting the influence of the subsequent waves of populations that settled the area in the course of history from Slavs and especially Central Asian origin Turkish populations, seen here in the motifs embellishing the poles’ base. The veranda poles presented in this photograph, the creation of a talented and well informed inter-war Romanian architect, display excellently in their choice of motifs the ethnographic identity of the people of the area where the house was built; it is practically a statement of regional Prahova county identity.

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I endeavor through this daily series of daily articles to inspire appreciation of the historic houses of Romania, a virtually undiscovered, but fascinating chapter of European architectural history and heritage.

***********************************************

If you plan acquiring a historic property in Romania or start a renovation project, I would be delighted to advice you in sourcing the property, specialist research, planning permissions, restoration project management, etc. To discuss your particular plan please see my contact details in the Contact page of this weblog.

Art Deco brick pattern

An elegant Art Deco brick pattern panel embellishing a late 1930s building in Campina, southern Romania. (©Valentin Mandache)

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I endeavor through this daily series of daily articles to inspire appreciation of the historic houses of Romania, a virtually undiscovered, but fascinating chapter of European architectural history and heritage.

***********************************************

If you plan acquiring a historic property in Romania or start a renovation project, I would be delighted to advice you in sourcing the property, specialist research, planning permissions, restoration project management, etc. To discuss your particular plan please see my contact details in the Contact page of this weblog.

1970s Romanian Modernism

Romania has seen its last strokes of quality architecture during the 1970s, when many of the talented inter-war generation architects were approaching the end of their professional life and their pupils were worthy followers of their masters. The subsequent decade marked the heightening of Ceausescu’s personal dictatorship to Orwellian levels, when the country was saddled with megalomaniac industrial and public architecture projects like the infamous House of the People palace, which today houses the Romanian parliament, allegedly the second largest building in the world. That crass political expediency, very similar with that of the North Korea, at the expense of quality and professionalism marked a terrible deterioration of the architectural profession in Romania, a situation from which has not yet recoverd even now, two decade after the fall of the communist dictatorship. I sometime encounter architecturally notable post-war modernist buildings during my fieldwork assignments throughout the country, which generally fit the rule that were designed and built before 1980 – ’82 (when Ceausescu’s totalitarianism finally griped the society to all levels). One such encounter is the building presented bellow from the city of Campina in southern Romania, dating probably from the late 1970s. Its hallmark is the well designed doorway with a very bold concrete awning, like the ascending path of a jet aircraft. The edifice is now empty and left unmaintained, an indication sign that its future is grim. Many such good examples of post-war modernist architecture are now slowly disappearing from Romania’s built landscape, being replaced by coarsely designed architectural concoctions, products of the rapacious real estate speculation that has engulfed Romania in the recent.

Romanian 1970s modernist architecture, Campina (©Valentin Mandache)
Romanian 1970s modernist architecture, Campina (©Valentin Mandache)
Romanian 1970s modernist architecture, Campina (©Valentin Mandache)
Romanian 1970s modernist architecture, Campina (©Valentin Mandache)

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I endeavor through this daily series of daily articles to inspire appreciation of the historic houses of Romania, a virtually undiscovered, but fascinating chapter of European architectural history and heritage.

***********************************************

If you plan acquiring a historic property in Romania or start a renovation project, I would be delighted to advice you in sourcing the property, specialist research, planning permissions, restoration project management, etc. To discuss your particular plan please see my contact details in the Contact page of this weblog.

The House with Griffins: oil wealth and Beaux Arts architecture in Romania

Campina is a prosperous oil town in the Prahova county, on the southern slopes of the Transylvanian Alps’ piedmont. The wealth generated by the oil business was responsible for a remarkable architecture ever since the inception of the oil industry in late c19th. Romania has been one of the first countries in late c19th to extract and export oil on an industrial scale, with some of the main oil fields located in the Prahova Valley, where Campina became one of the main extraction and refining centres. The images bellow document one of the first and most flamboyant houses built from oil fortunes at the beginning of the c20th, named the House with Griffins, which now hosts the local town hall and mayor’s offices.

The House with Griffins, Campina, southern Romania (©Valentin Mandache)

The building is a very eye pleasing and well proportioned Beaux Arts style edifice with a symmetrical structure erected in 1901 – ’02 by Gheorghe Stefanescu, a wealthy local businessman active in the oil industry. I have not yet been able to find the name of the architect who designed this house, but my inkling is for an Italian architect, from among the pleiad of Italian architects and builders active in that period in Romania, who built numerous Beaux Arts style public and Read more

Lilac leaf shaped Art Nouveau windows

During my recent trip to Campina, an oil town 90km north of Bucharest, on the Prahova Valley, I encountered a recurrent Art Nouveau style lilac leaf motif in the window design of a number of local houses. What made it more interesting, was its popularity well beyond the Art Nouveau era, being also displayed by houses from the inter-war and WWII period. The lilac leaf motif was popular in Art Nouveau representations, being a pattern borrowed from Oriental visual arts, originating in Persian representations and also adopted throughout the Ottoman realm, of which the Romanians were an integral part for several centuries. That could explain the unusual preference for this design in a provincial town like Campina. In the photographs bellow I tried to convey a bit from the enduring favour of lilac leaf shaped windows in this corner of Romania, with meritorious examples dating from the 1900s, the Art Nouveau age, to the 1920s and the early 1940s.

Lilac leaf shaped Art Nouveau window, 1900s, Campina, southern Romania (©Valentin Mandache)
Lilac leaf shaped Art Nouveau window, 1920s, Campina, southern Romania (©Valentin Mandache)
Lilac leaf shaped Art Nouveau window, 1940s, Campina, southern Romania (©Valentin Mandache)

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I endeavor through this daily series of daily articles to inspire appreciation of the historic houses of Romania, a virtually undiscovered, but fascinating chapter of European architectural history and heritage.

***********************************************

If you plan acquiring a historic property in Romania or start a renovation project, I would be delighted to advice you in sourcing the property, specialist research, planning permissions, restoration project management, etc. To discuss your particular plan please see my contact details in the Contactpage of this weblog.