Masonic, Phoenician?… inscription on doorway pediment

The doorway assembly of a house in Spanish Mission style dating from 1932, with a unusual pediment inscription. Kiseleff area, Bucharest. (©Valentin Mandache)

I found in one of my research days in Bucharest in one of the most well-heeled areas of the city an inscription decorating the pediment of an inter-war Spanish Mission style house (one of the very few such design buildings from Romania’s capital) rendered in an unknown script. I tried to identify the letters in various online and paper printed sources, but to no avail. My impression is that the inscription is rendered in a medieval European alphabet revived and used by the Freemasons, who were vigorously active in Romania before the communist take over. I have already identified and published in the recent past photographs and considerations on a couple of long forgotten Masonic signs rendered as architectural decorations in another upmarket area of Bucharest, articles which can be accessed here and at this link. Another theory would be that the writing is Phoenician, the letters resembling somehow that script, my reasoning being that the house should have belonged to someone with Spanish connections (Romania used to have a sizeable Jewish Ladino community before the Holocaust and postwar emigration), as the architectural style would  imply, a land so much linked with the ancient Carthaginian civilisation. Anyway, I very much hope that someone from among my readers would be able to help in identifying the meaning of this peculiar piece of architectural history,.

Masonic or Phoenician inscription? on the doorway pediment of a Spanish Mission style hosue (1932) from the Kiseleff area of Bucharest. (©Valentin Mandache)

PS In February 2011 I received an email from one of my readers, Mr. Ion Musceleanu, who conveyed to me an interesting interpretation of this inscription, made by a specialist in ancient Indo-European linguistics, known to the online community under the nickname Teofil. He considers that the text is in Sanskrit Devanagari, a script derived from the Gupta type, encountered in northern India and Nepal; the first row is a numa (“Gold”, “Golden”, which seems to be slightly misspelt), while the second row means “Fortune”/ “Chance”, again slightly misspelt. I would like to thank Teofil for this interpretation, which hopefully would help deciphering this architectural enigma of Bucharest.

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Prin aceasta serie de articole zilnice intentionez sa inspir in randul publicului aprecierea valorii si importantei caselor de epoca din Romania – un capitol fascinant din patrimoniul arhitectural european si o componenta vitala, deseori ignorata, a identitatii comunitatilor din tara.

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Daca intentionati sa cumparati o proprietate de epoca sau sa incepeti un proiect de renovare, m-as bucura sa va pot oferi consultanta in localizarea proprietatii, efectuarea unor investigatii de specialitate pentru casele istorice, coordonarea unui proiect de renovare sau restaurare etc. Pentru eventuale discuţii legate de proiectul dvs., va invit sa ma contactati prin intermediul datelor din pagina mea de Contact, din acest blog.

Short Neo-Romanian style column inscribed with masonic symbol/ monogram

An attractive example of short and ornate Neo-Romanian style column, deorated on the capital with a stylised letter "G"; en of the 1920s - early 1930s mansion, Cotroceni area, Bucharest. (©Valentin Mandache)

The “G” letter inscribed on the column capital in the photograph above is very intriguing as it may be a masonic symbol representing the masonic gnosis in the form of the letter G shaped as a fragmented square, or it could be the more prosaic possibility that the letter is the monogram of the house owner. My inclination is toward the masonic connection as many among the Romanian elite of the era when the house was built were freemasons and some lived in the upmarket Cotroceni quarter. I documented a few weeks ago another architectural rendering of a masonic symbol discovered in this area, click here to access the article.

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I endeavor through this series of daily articles to inspire appreciation of the historic houses of Romania, a virtually undiscovered, but fascinating chapter of European architectural history and heritage.

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If you plan acquiring a historic property in Romania or start a renovation project, I would be delighted to advice you in sourcing the property, specialist research, planning permissions, restoration project management, etc. To discuss your particular plan please see my contact details in the Contact page of this weblog.

Masonic Symbol on a Neo-Romanian Style Panel

Masonic symbol on a Neo-Romanian style panel that adorns a late 1930s house in the Cotroceni area of Bucharest. (©Valentin Mandache)

The freemasonry had an important presence within the Romanian elite since early c19th until the communist takeover in 1948. The influential pan-European networking conducted among its members of various nationalities and their often close associations had in a certain measure impacted positively the course and outcome of pivotal moments in recent Romanian history such as the 1848 Revolution, unification of the Danubian Principalities in 1859 that resulted in the creation of the modern Romanian state or the backstage negotiations of the auspicious peace treaty conditions referring to Romania that concluded the Great War. The communist regime prosecuted the freemasonry, perceiving its members as implacable class enemies. The organisation was forbidden and many freemasons ended up in the communist prisons. The masonic symbols were systematically erased from the building façades and interiors and its memory confined to the “dustbin of history”, as the communists liked to say. I was therefore quite thrilled to find the rare surviving symbol, presented in the photograph above, located at the centre of a decorative panel that embellishes a house built in the late 1930s in a mix of standard Neo-Romanian architecture and what I call inter-war Venetian style, from the Cotroceni area of Bucharest. It is in a quite discreet position, relatively high above the ground, on a side façade and under a large tree canopy. I have not been able to fully decipher the significance of this symbol consisting of a compass and an inverse equilateral triangle within a toothed circle. I hope that someone among my readers would offer a clue! Another reason why I think the communists left it alone was because it also resembles an inoffensive  professional symbol/ logo, such as that of a draughtsman or mechanical engineer and interpreted that way by the officials of that era, a quite ignorant lot in fine matters pertaining to symbols or decorative arts.

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I endeavor through this daily series of daily articles to inspire appreciation of the historic houses of Romania, a virtually undiscovered, but fascinating chapter of European architectural heritage.

***********************************************

If you plan acquiring a historic property in Romania or start a renovation project, I would be delighted to advice you in sourcing the property, specialist research, planning permissions, restoration project management, etc. To discuss your particular plan please see my contact details in the Contact page of this weblog.