Gustave Eiffel in Romania: Trajan Grand Hotel, Iasi

Gustave Eiffel, the famous French engineer and architect that has cast his creative shadow all over the world with great metallic structures and constructions based on metallic frame and prefabricated elements, such as the Eiffel Tower in Paris or the Statue of Liberty in New York, has also been present in Romania with two noteworthy projects. The amplest one is the design and construction of the Trajan Grand Hotel in Iasi (1882), the capital of the former principality of Moldova, presented in the photographs bellow, and a railway bridge (1877) over the river Prut, build under the jurisdiction of the Russian Empire, that linked its then frontier province of Bessarabia (the precursor of the contemporary Republic of Moldova) with Romania.

Grand Hotel Trajan Hotel, Iasi, designed and built by Gustave Eiffel in 1882.(©Valentin Mandache, 2009)
The Trajan Hotel in the 1920s, Iasi, north-east Romania (old postcard, Valentin Mandache collection)

The Trajan Hotel is built on a metallic frame structure with prefabricated elements and light weight brick, wood and glass walls. Its architectural style is an avant-garde, industrial-like, Beaux Arts design typical of other of Gustave Eiffel’s edifices. It is a an engineering and architectural marvel of the Victorian era, which is still excellently preserved and maintained by the actual hotel owners and Iasi municipal authorities that seem to realise the crucial importance for the local cultural and architectural identity of this beautiful buildings, a situation which contrasts so much with the indifference and lack of professionalism in this field of their counterparts in Bucharest. The moment of glory for the Trajan Grand Hotel has been during the Great War when it hosted Romania’s government while Iasi became the temporary capital with most of the country occupied by the Central Powers led by the German Empire’s forces. In that extraordinarily dramatic time, the city’s populations swelled ten times to over one million of refugees in the space of just a few weeks, with the Russian allies troops stationed in the territory becoming hostile and disorganised due to their succumbing under the Bolshevik ideology. The patriotic spirit held on and the government, hosted at the Trajan Grand Hotel, together with King Ferdinand, managed to repel both the Bolsheviks and the Germans at the end of the war.

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I endeavor through this daily series of daily articles to inspire appreciation of the historic houses of Romania, a virtually undiscovered, but fascinating chapter of European architectural history and heritage.

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If you plan acquiring a historic property in Romania or start a renovation project, I would be delighted to advice you in sourcing the property, specialist research, planning permissions, restoration project management, etc. To discuss your particular plan please see my contact details in the Contactpage of this weblog.

Daily Picture 18-feb-10: The Restored Gothic Interior of Iasi Railway Station

The freshly restored Gothic interior of Iasi railway station photographed in the summer of 2009. (©Valentin Mandache)

The city of Iasi is the beautiful historical capital of the principality of Moldavia, which through its union with Wallachia in 1859, in the favourable international circumstances following the Crimean War, formed the core of modern Romania. The city has been a bitter rival of Bucharest ever since, very much hampered in its development because of more difficult communication lines with the rest of the country. The railway came to the town in 1869 and alleviated in part that situation. The Iasi people had until that date to take uncomfortable horse drawn coaches in order to travel to Bucharest, through a very difficult 250 miles dirt road. The wealthier Iasi citizens even preferred to travel to Bucharest via Vienna, a huge detour, but a much more comfortable trip through Cernowitz in Bucovina, to the Austrian capital and from there to embark on a steam boat all the way down on the Danube to Giurgiu, nearby Bucharest. Consequently the train has a great importance for the Iasi people and the grandiose architecture of the local railway station, perhaps the most beautiful such building in Romania, reflects that sentiment. Its Venetian Gothic inspired architecture is very monumental and also well proportioned. Recently the station has been professionally restored with stunning results. I was amazed to admire its numerous ogee windows and arcades and the fresh majesty of its lines and airy interior; even the ticket counters are provided with ogee windows. I took the photograph above in the summer of last year, when the restoration work was on course, and I hope that it conveys at least in part my favourable impressions.

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I endeavor through this daily image series to inspire appreciation of the historic houses of Romania, a virtually undiscovered, but fascinating chapter of European architectural heritage.

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If you plan acquiring a historic property in Romania or start a renovation project, I would be delighted to advice you in locating the property, specialist research, planning permissions, restoration project management, etc. To discuss your particular plan please see my contact details in the Contact page of this weblog.

Daily Picture 17-Jan-10: “Little Paris” Atmosphere

A representative architectural detail for the prosperous and nonchalant times of La Belle Epoque in Romania when the "Little Paris" architecture (provincially interpreted French late c19th styles) became popular throughout the country. The rooftop allegorical group embelishes the 1890s building of the Centre Culturel Français de Iasi, NE Romania. (©Valentin Mandache)

The architectural ornament formed by the two cherubs feeding from an abundant fruit bowl (and also fittingly crowned by two live collared doves) embellishes a landmark building in Iasi, the former second capital of Romania. It is an epitome of what I call the “Little Paris” atmosphere that permeated the country as a whole in the last decades of the c19th until the Great War. The French architectural styles of that period ranging from eclectic to Second Empire or Beaux Art were assiduously followed in a picturesque provincial manner in the far away Romania, where Bucharest became known as the “Little Paris” of the Balkans. That was not of course restricted to the capital, but a myriad of other towns throughout the country were endowed with beautiful such buildings. Iasi, the old capital of the principality of Moldova and for a while a second capital of unified Romania in the 1850s, was an worthy rival of Bucharest. The city today still preserves numerous and excellent quality examples of “Little Paris” architecture. I took the photograph above in the autumn of the last year and was amazed to discover that the artefact is identical with one which I encountered in Bucharest and also wrote a post about it on this blog in August ‘o9: https://historo.wordpress.com/2009/08/29/daily-picture-29-aug-‘09/ It shows the popularity of the style and that there was practically an industry producing those artefacts. That is also an indication that the buildings in that style were not produced by high level architects, but picturesque pattern reproductions according to the tastes of a clientèle, which was in its starting phases of amassing a more subtle cultural baggage. The emergence of highly professional architects and sophisticated patrons became a reality after the Great War when the Neo-Romanian style became widely popular together with the international modern styles.

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I endeavor through this daily image series to inspire appreciation of the historic houses of Romania, a virtually undiscovered, but fascinating chapter of European architectural heritage.

***********************************************

If you plan acquiring a historic property in Romania or start a renovation project, I would be delighted to advice you in locating the property, specialist research, planning permissions, restoration project management, etc. To discuss your particular plan please see my contact details in the Contact page of this weblog.