Veranda ethnographic wooden poles

I found quite interesting the way how the ethnographic wooden poles presented in the photographs bellow are placed in groups of three at the corner of these verandas belonging to Neo-Romanian style houses. That peculiarity could on the one hand be the result of structural requirements, to reinforce the corner of the veranda structure, or on the other hand be a Christian reference to the symbol of Trinity, often encountered in the Romanian ethnography and peasant art.

Veranda ethnographic wooden poles, early 1930s Neo-Romanian style house, Dorobanti area, Bucharest (©Valentin Mandache)

Veranda ethnographic wooden poles, late 1920s Neo-Romanian style house, Dorobanti area, Bucharest (©Valentin Mandache)

Veranda ethnographic wooden poles, late 1920s Neo-Romanian style house, Dorobanti area, Bucharest (©Valentin Mandache)

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I endeavour through this daily series of daily articles to inspire appreciation of the historic houses of Romania, a virtually undiscovered, but fascinating chapter of European architectural history and heritage.

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If you plan acquiring a historic property in Romania or start a renovation project, I would be delighted to advice you in sourcing the property, specialist research, planning permissions, restoration project management, etc. To discuss your particular plan please see my contact details in the Contact page of this weblog.

Ethnographic identity veranda poles

Ethnographic veranda poles, mid-1930s Neo-Romanian house, Campina, southern Romania (©Valentin Mandache)

This is a well preserved example of veranda poles adorning a large mid 1930s Neo-Romanian style house in central Campina, southern Romania, inspired from the ethnographic motifs of Prahova county. The main particularity of this ethnographic province is that it features a mix of Carpathian and Ottoman Balkan (especially Bulgarian-like) ethnography. The Carpathian ethnographic motifs and artefacts are typically very geometric and angular, a sort of “peasant cubism” reflecting the artistic traditions of a population settled in the area since the first arrivals of the Indo-European populations more than five millennia ago, seen here in the shape and symbols of the capitals adoring the poles. The Ottoman Balkan ethnography is characterised by a more cursive, round geometry with floral motifs, reflecting the influence of the subsequent waves of populations that settled the area in the course of history from Slavs and especially Central Asian origin Turkish populations, seen here in the motifs embellishing the poles’ base. The veranda poles presented in this photograph, the creation of a talented and well informed inter-war Romanian architect, display excellently in their choice of motifs the ethnographic identity of the people of the area where the house was built; it is practically a statement of regional Prahova county identity.

***********************************************

I endeavor through this daily series of daily articles to inspire appreciation of the historic houses of Romania, a virtually undiscovered, but fascinating chapter of European architectural history and heritage.

***********************************************

If you plan acquiring a historic property in Romania or start a renovation project, I would be delighted to advice you in sourcing the property, specialist research, planning permissions, restoration project management, etc. To discuss your particular plan please see my contact details in the Contact page of this weblog.